Radical Filmcraft
The second movie from visual arts professor RaMell Ross was named best of 2024 by the New Yorker’s Richard Brody. Nickel Boys, an adaptation of Coleson Whitehead’s Pulitzer-winning novel, stars Aunjanue Ellis ’93 and Daveed Diggs ’04 (left) in the tale of a bookish, idealistic young high schooler in Jim Crow–era Florida who is mistakenly sent to reform school (the fictional Nickel Academy, based on Florida's notorious Dozier School for Boys, where authorities are still uncovering unmarked graves).
Ross builds on the intimate, impressionistic style he first honed as a photographer—a style so striking it earned his debut film, Hale County This Morning, This Evening, an Oscar nod (see “A Symphony of Moments,” Nov.-Dec. 2028). Here making his first foray into fiction, Ross swings big by alternating much of the camera work between the points of view of two young protagonists. Some critics called it distracting; others lauded it as immersive and devastating. “Some films shine brighter than others,” says Robert Daniels for RogerEbert.com, and this one “is polished to a remarkable luster.... This isn’t a film that holds your hand. Ross... teaches the viewer how to see and feel the world through Black eyes. If the lesson doesn’t take, the blame does not lie with the film.