The game is also known for the attention and care that went into its physical design. Beautifully illustrated cards by female artists feature a wide sample of North American birds from the great crested flycatcher to the ruby-throated hummingbird, describing the intricate lives and plumage of the exotic and the common. Oklahoma’s state bird, the scissor-tailed flycatcher, graces the cover of Wingspan’s box.

“I tried to start the design process very intentionally—what feelings am I trying to evoke?” Hargrave says. “My main goal was to make people feel this sense of wonder and connection to the birds.”

Hargrave’s curiosity propels her game designing and choice of topics, and she has subsequently released Mariposas, a well-received game on Monarch butterfly migration, and Tussie Mussie, about Victorian-era flower messaging.

With her platform, Hargrave has emerged as a vocal advocate to make gaming a more inclusive space for women, people of color, and designers from other under-represented backgrounds.

“I think the population of who becomes designers lags behind where we are as gamers because it takes you a while to become a designer,” she says. “You’re drawing from the pool of people that are hardcore enough that they start thinking about designing.”

In other words, if the themes and identities of current designers are narrow, the range of people inspired by their games will be also. 

Hargrave herself had not planned to become a game designer. Yet she had spent her whole life playing games, including at Brown, where she studied public policy and lived in the Waterman Co-op.

“It had a house culture of playing a lot of games,” she says. “We played spades hanging out in the kitchen before dinner, and played a lot of Scrabble, like very slow Scrabble, where people did their homework between their turns…”

She also had a lifelong fascination with nature, after she moved as a middle schooler from Southern Illinois to Gainesville, Florida, where her world of soybean fields and strip mines opened up to Florida’s natural beauty. Years later, a trip to Costa Rica with her husband turned the pair into enthusiastic birders.

Hargrave seeks to cultivate a love of birding in Wingspan aficionados. But she pushes back on critics who say Wingspan merely offers an aesthetic treatment of birds with little tangible connection to conservation efforts. She notes earlier renditions of Wingspan had featured a much more explicit focus on conservation by having players build up a wildlife park, yet most people found this a distraction from the birds themselves. She eventually removed the wildlife park element.

“I think it ended up being the right choice,” she says. “Even in a conservation sense—I do hear from people over and over that Wingspan has made them birders and has made them pay attention to the birds. And I think that that experience, and that connection, is far more important for getting people engaged in conservation in real life.”

Hargrave has been invited to Wingspan tournaments to play in the final round. “I’m definitely not guaranteed to win,” she says, “but I am an above average player, for sure.”

While competitive, Hargrave emphasizes inclusivity in gaming. She remembers a feeling of isolation as a woman at major game conventions, dominated by men. She attended a breakfast for women at one convention and recalls how it made everything easier for her and her female colleagues.

“I tried to start the design process very intentionally—what feelings am I trying to evoke?... My main goal was to make people feel this sense of wonder and connection to the birds.”

“If you’re in a sea of several hundred designers, and eighty percent of them are men, there are other women there, but you may not see them in your immediate vicinity,” she says. “But if you have met them and are confident that they’re there, and you’re friendly with them like that, it changes the feeling of the whole room.”

On her Twitter, Hargrave frequently boosts under-represented game designers and has written extensive threads detailing sexism in gaming. She has anecdotes of backhanded compliments she has received on Wingspan, including “thanks for designing a great game for my wife.” 

Resisting the idea that a game with bright colors and a focus on nature is an inherently “female” game, Hargrave says she wants to make games that entice non-gamers.

For ideas, she focuses on obscure, curious aspects of life that draw her attention. A devoted reader of the Washington Post obituary page, she came up with the idea for a game about stunt workers after reading an inspiring account of a pioneering female stuntwoman. Listening to podcasts have led to other, still in-progress designs such as a fox-breeding game based on an old Russian genetics experiment to domesticate dogs.

The pandemic put much of her designing on hold. While there are ways to play board games online, Hargrave says they take the joy out of it for her. She’s glad COVID is getting under control so she can go back to in-person playtesting.

“So much of my playtesting is just watching people play and like seeing, seeing their physical reactions to the game,” she said. “I really enjoy the tactile nature of games and having bits that you’re manipulating.”

Finishing up the third expansion pack for Wingspan when she spoke to the BAM last year, Hargrave hopes the care she puts into Wingspan will translate into awareness and appreciation for the presence of birds, in all their diversity, all around us. 

“I think a lot of people don’t really think about how vast that part of the world is,” she says, “if you have never stopped to really pay attention to them.”

Jack Brook ’19 is a reporter at the Southeast Asia Globe in Phnom Penh. His writing has been published in the Christian Science Monitor, Jerusalem Post, Miami Herald, Marshall Project and other outlets.